Acting Reframes: Using NLP to Make Better Decisions In and by Robert Barton

By Robert Barton

Acting Reframes provides theatre and picture practitioners with a strategy for utilizing Neuro-Linguistic Programming (NLP) as a device to assist their practice.

Author Robert Barton makes use of the NLP method of illustrate quite a number cutting edge how you can support actors and administrators, including:

• lowering functionality anxiety

• permitting clearer communication

• intensifying personality analysis

• stimulating creative practice session choices.

The writer additionally indicates how NLP can used along different simple education platforms to enhance ways to practice session and performance.

The ebook exhibits using NLP to the reader in a playful, artistic and simply obtainable type that's based to allow solo examine in addition to crew paintings. The textual content deals quite a number enticing workouts and broad research of language styles utilized in functionality. it's a resource for reinforcing conversation among all theatre practitioners in education, productions, and way of life outdoors the theatre.

Acting Reframes provides actors a richly profitable method of support them boost all points in their craft.

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Additional resources for Acting Reframes: Using NLP to Make Better Decisions In and Out of the Theatre

Example text

Sensuality of language. The act of speaking is a sensual experience for auditories and that sense of pleasure and relish often come across strongly. 51 ACTING REFRAMES • • • • • • • Non-verbal sounds. Embellishing the script with sighs, groans, hums, sharp intakes of breath and other vocalized additions comes naturally to those who tend to add these in normal conversation. Diction. Sharp consonants, sometimes used as verbal weapons, are easily accessed by auditories. Vocal pyrotechnics, contrasts.

While some will readily recognize themselves as “deep” or “high” V, A or K, many of us are fascinatingly variable. Rather than trying to label yourself, a far more valuable set of questions is: Where am I at this moment? Under what circumstances do I tend to fall into V, A or K? Where is the person with whom I am trying to communicate? and What is the best way for us to be in rapport? What am I when? This exercise invites you to connect, watch, listen, and feel as you move among modalities. Observe yourself over a few days.

Move around a bit, letting all that you have taken on go. Stretch anywhere you have accumulated tension. ) If working with others, discuss what you found most challenging about the exercise and farthest from your own comfort zone. ” Visuals are the least likely to do anything wrong, ever. Or if they do, they are the least likely to get caught. ” Of course this also means that if they are up to something (embezzling? ) no one suspects them and they can get away with things surreptitiously. Auditories win points on class participation, but may lose them by chatting with their neighbors.

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